Urban Ministry :: Looking for a Place to Call Home

26 04 2012

This article was originally published in The Banner (www.thebanner.org)

by Brian Walsh

It didn’t make any sense. What was a suburban 16-year-old doing in the downtown basement of a soup kitchen for Toronto’s poorest residents? The kid wasn’t looking for soup, and he certainly wasn’t cruising the main drag with the intent of meeting, let alone serving, homeless men and women.

The date was 1969 and the place was a coffeehouse in the dingy underbelly of Yonge Street Mission. I was the kid. I found myself in this setting drinking bad coffee and listening to some decent music. By the late 1960s, a mission that had been established to reach out to the poor and destitute of Toronto found itself in the middle of a youth culture gravitating toward the inner city, looking for sex, drugs, and rock and roll. So they decided to offer up coffee, Jesus, and folk music.

After a few months of hanging around this place I fell in love with all three, but not in that order. I am a follower of Jesus today with a love for good music and a distinct distaste for bad coffee (though I love the good stuff) because of the way in which God worked through that urban ministry in the core of Toronto. Read the rest of this entry »





Kicking at the Darkness :: A Book Review

24 04 2012

On April 16th, Byron Borger, bookseller extraordinaire, published this review of Brian’s “Kicking at the Darkness: Bruce Cockburn and the Christian Imagination” on his booknotes blog. Here’s the intro, with a link to the full article to follow.

My friend Brian Walsh will be doing a presentation drawing on his recent book on the singer-songwriter, rock guitarist and road warrior Bruce Cockburn at the renowned Calvin College Festival of Faith and Writing this week.  Later, Mr. Cockburn will be performing, preceded by an interview with Walsh.  In honor of this remarkable bit of interaction and collaboration, and with a big hat tip to all involved at Calvin College, I offer this long rumination on the music of Bruce Cockburn, the writing of Brian Walsh, and this new book that explores how Cockburn’s work can inspire a more fruitful, faithful Christian imagination.  It’s a great book and means a lot to me, as you will see.

kicking at the darknes.jpgWhen Kicking at the Darkness: Bruce Cockburn and the Christian Imagination by Brian J. Walsh (Brazos; $18.99) hit the bookstore shelves in late fall I did a brief review, suggesting it was a book I adored, had read (in an early manuscript version) and that I would write about more thoroughly.

When we were doing our Hearts & Minds Best Books of 2011 announcements, we awarded it as one of the year’s best.

In fact, I said it was one of the year’s books that made me the happiest.  I had hoped others might find that intriguing, and that BookNotes readers would order it.  Some did, but others, I’m afraid, didn’t realize just how important this remarkable book really is.  I’m not alone, though, in insisting that this is a book that is well worth your hard-earned coin.  I smile in agreement when Brian McLaren says “I savored every page of this book.”   And I agree with Marva Dawn’s enthusiastic assertion: “You need to read this book!”

Here is my heart-felt two part longer review of Kicking at the Darkness by Brian Walsh.  The first essay is a rambling bit of my own story, why I found Cockburn so important decades ago, and how Walsh has been a writer whose Biblical insights about worldview and the prophetic imagination have influenced me greatly.  Granted, my remarks are a bit impressionistic and, insofar as it is just a little bit of my little story, it may not be that interesting to you.

Still, I hope you give it a read—you may better understand why I write about many of the themes we pursue here, the sorts of books we commend, the authors we most appreciate.  The confluence of evangelical faith, a reformational worldview, how Christian discipleship demands cultural engagement, our interest in the arts, and the really important influence of pop music form the backdrop as I tell about Bruce Cockburn.  I’ve said for decades that Cockburn is in my top two or three all-time favorite recording artists, so I hope you’ll read my odd little overview.

Part Two is a bit more focused, describing the structure and themes of the book.  In my first essay, actually, I end with three reasons why you should read Kicking at the Darkness.  If this intrigues you, or you are willing to trust me, order it from us asap.  If you want a bit more explanation of where Walsh goes with all this, read my summary in Part Two.  I am (relatively) brief, there, and it is no substitute for taking in Walsh’s insight, good writing, powerful Bible lessons, and his seriously imaginative take on Cockburn’s seriously imaginative artistic vision.  Enjoy.

Click here to read the full review





Resurrection and the City

22 04 2012

by Brian Walsh

(We’ve sat in Easter Saturday for three weeks now. Not a bad thing to do considering how quickly we want to get past the horror of Good Friday. Maybe it is time for us to now proclaim the resurrection. Because without the resurrection, there is no remixing of the empire. This is my Wine Before Breakfast meditation on the Road to Emmaus story in Luke 24.13-35)

It wasn’t surprising that they had decided to leave the city.
Jerusalem had again failed to live up to its name.

Bloodshed, not peace, had been raining in this city for years,
and the last couple of days had been just more of the same.

Another round of arrests,
more beatings and corrupt trials,
another group of crucifixions,
more violence in the police state,
yet another repression of anything that could be a threat to the city
and its religious, political and economic elite.

This city that had held their hopes and dreams,
this city that had been the bearer of the promises,
this city where they had hoped to see the redemption of Israel,
this city where they had longed to see streets for dwelling,
justice in the gates,
jubilee in the land,
the protection of orphans, widows and strangers,
refuge for the vulnerable;
this city that they had hoped would be the capitol for the Kingdom of God,
… this city had failed them again. Read the rest of this entry »





Holy Week and Dismantling Atomic Bombs

5 04 2012

(A Holy Week Sermon preached at Wine Before Breakfast, based on Mark’s telling of the story of Holy Week)

by Brian Walsh

The pilgrims on the Jericho road always sang the same song as they made their way to Jerusalem on the first day of Passover Week.

They always sang Psalm 118.

“Give thanks to the Lord, for he is good, his steadfast love endures forever.”

And when they got to the end of the Psalm they would sing,
“Blessed is the one who comes in the name of the Lord.”

And they would add in “Hosanna, Hosanna” “Save us, come and save.”

Blessed is the one who comes in the name of the Lord – to save!

And these were, of course, revolutionary words in the context of the Roman empire, especially at the beginning of Passover Week.

“Blessed is the one who comes in the name of the Lord, to save” means “Blessed is the one who comes in the name of the Lord to release us from imperial bondage, to set us free from the repression of the empire.” Read the rest of this entry »





A Pastoral Letter for Holy Week 2012

1 04 2012

(Every year Brian writes a pastoral letter to the Wine Before Breakfast community at the University of Toronto in which he calls the community to be intentional about keeping Holy Week. We share this letter with the broader Empire Remixed community.)

by Brian Walsh

Dear friends:

We have spent the last year at Wine Before Breakfast looking for a better city.

It all began with the urban contrast of all urban contrasts:
the fall of Babylon and the descending of the New Jerusalem.

The city of man meets the city of God.

The imperial regime of luxurious wealth
built on the solid foundation of oppression and idolatry

meets a city of radical hospitality, healing and joy
built on the solid foundation of the homecoming God.

Babylon and Jerusalem.
The contrast echoes throughout the biblical story.

And they find deep resonance in our own urban experiences. Read the rest of this entry »





Waiting for a Miracle/Overturning the Tables

19 03 2012

Wine After Dinner | Church of the Redeemer, Lent 3 | John 2.13-22

You can find the full liturgy here.

by Brian Walsh

In the last verse of “Waiting for a Miracle” Bruce Cockburn sings:

Struggle for a dollar, scuffle for a dime
Step out from the past and try to hold the line
So how come history takes such a long, long time
When you’re waiting for a miracle

These are amongst my favourite lines from the Bruce Cockburn songbook.

How come history takes such a long, long time,
when you’re waiting for a miracle? Read the rest of this entry »





“Seeing in the Dark” Audio

24 02 2012

Back in September 2011, Trinity College, Church of the Redeemer, The Gateway and Imago hosting a conversation about Faith and Film.

The event included a four-member panel and a theological reflection on the short film KAVI given by Brian Walsh.

Audio from that event is now up and posted on Imago’s website here.





Lent, the City and Philippians

22 02 2012

by Brian Walsh

From the book of Revelation, back to Genesis, into the Torah, through the monarchy and then on to Isaiah with his prophecies of judgement, exile and return, the Wine Before Breakfast community has spent the last number of months meditating on a biblical vision of the city. We’ve posted a number of the sermons from those services here at Empire Remixed.

And it is an ambivalent vision of the city. We began with the cataclysmic Fall of Babylon and moved in our second week to the hope of a New Jerusalem. And its been back and forth all year.

One day you’re waiting for the sky to fall,
the next you’re dazzled by the beauty of it all

Apocalyptic dread and the beauty of hope. A biblical theology of the city finds itself between these two poles. Read the rest of this entry »





Glory and Canopy: Hope for a New City

7 02 2012

A Wine Before Breakfast Meditation on Isaiah 4.2-6

by Brian Walsh

It always comes back to creation and exodus.

Figure out Genesis and Exodus and you’ve got the most foundational outline of the biblical story.

And when the biblical imagination takes a redemptive turn,
when a prophet moves from judgment to hope,
and the biblical narrative transitions from the ruins to rebuilding,
there are two themes that will pretty much always be found:
……creation and liberation.

We’ve heard so much bad news from Isaiah,
so much condemnation on the Holy City of Jerusalem,
that I didn’t have the heart to read Isaiah 3 to the community this morning.

The poet’s depiction of the collapse of all societal and civilizational structures and supports,
his portrayal of a community devoid of any leadership,
his condemnation – yet again – of the oppression of the poor,
his denunciation of opulent luxury,
and his provocative picture of the smell of perfume being overpowered by the stench of death,
……the sashes that the fine ladies wore around their wastes become ropes for their necks,
……their beautiful hair gives way to baldness,
……their rich robes become sackcloth,
……and instead of beauty they are adorned with shame,
all of this just seemed like too much. Read the rest of this entry »





Urban Filling and Urban Judgment

12 01 2012

by Brian Walsh

A meditation on Isaiah 2.5-22

Culture is not optional.

I’m pretty sure that my former colleague, Calvin Seerveld, coined that phrase.

Culture is not optional because there is no such thing as human life together that is not at heart a culture-forming enterprise. Human language, family structures, gender relations, economies, agriculture and creative expression is all culturally founded and culturally formative.

And for ancient Israel, culture making is at the very foundation of human identity. We are mandated to be fruitful, to multiply and to “fill” the earth. Read the rest of this entry »








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